Here is a monument for Cardinal Giacomo Luigi Brignole, by Salvatore Revelli in 1855. These frescoes were brought here from elsewhere, the Crucifixion apparently being on the wall of a nearby house and the Madonna from the monastery. The present appearance of the chapel is the responsibility of the famous early 20th century architectural historian Antonio Muñoz, and was finished in the same year. A mosaic attributed to him can be seen in the nearby Santa Maria in Trastevere. The floor within this enclosure is of opus sectile work, with a central porphyry tondo bearing an inscription commemorating Cardinal Paolo Sfondrati, titular priest of the church 1591-1618 (don't mistake this for the epigraph by Maderno mentioned below). Pope Clement VIII was at the time bedridden, but he delegated Cardinal Caesar Baronius to record the events and to supervise the exposition of the relics which took about five weeks. One outreach that the nuns had was to provide a venue for the newly founded Accademia di Santa Cecilia, a musical conservatory under the patronage of the saint. The first leads through a tiny antechamber to the Cappella del Crucifissione (which is actually adjacent to the right hand ancillary chamber of the entrance vestibule), and the second opens into St Cecilia's Bath-House. Its decoration includes the coat of arms and the dedication to the titular cardinal who paid for the facade, Francesco Cardinal Acquaviva d'Aragona. Cecilia was later ordered to be killed by being suffocated in her own bath-house, but survived and then suffered a botched attempt at beheading which left her lingering for three days. The murderers tried to strangle her, but when this proved impossible, she was beheaded. and up. The church of Santa Cecilia is another great church that you shouldn’t miss in Trastevere. The relics of the saints were moved to new shrines; the silver casket containing St Cecilia was not opened in the process. The second storey has two arched orifices on each face, and the third one three; each archivolt has a double arc of bricks with the lower one recessed, and the archivolt springers of both storeys are connected by a string course. Take your favorite fandoms with you and never miss a beat. Other slabs with epigraphs are ancient, and were found in the excavations. This dates from the first half of the fifth century. However, on the right hand side there are several ancillary structures. There is an entrance fee of 2-5 euros, which is in addition to what you pay to enter the underground areas. It seems that there was some sort of joint administration of the two basilicas at the time. The ends of the loggia have a pair of Corinthian pilasters clad in a grey-veined marble, the cladding having been added by Fuga. 22 Piazza di Santa Cecilia The Gothic ciborium is surrounded by four marble columns white and black, decorated with statuettes of angels, saints, prophets, and evangelists. There is a comment in a work called Miscellanea by Venantius Fortunatus (latter part of the 7th century), which indicates that the saint was martyred in the reign of Marcus Aurelius, about the year 177. English name: Interestingly, the words are run together as they might have been in a contemporary hand-written book -instead of being separately given as is familiar in ancient monumental epigraphs. The façade above the loggia was designed in 1725 by Ferdinando Fuga, who had been commissioned by Francesco Cardinal Acquaviva d'Aragona, titular priest of the church 1709-1724. However, the nuns now realize the importance of the work and the interest shown in it, and have regularized access by payment. (This is not as obvious as might first appear, because it meant that the church was not available for worship during the demolition and rebuilding.) The original church was constructed in the fourth century; during the ninth century, Pope Paschal I had remains which were supposedly hers buried there. The viewing times for this are: Weekdays 10:00 to 12:30. St Mary Magdalen. The Cardinal priest who is currently assigned to Santa Cecilia in Trastevere is Gualtiero Bassetti. The triumphal arch of the apse is flanked by a pair of busts in large niches, over long dedicatory inscriptions. The altarpiece is attributed to Giovanni Baglione, but an alternative attribution is to the school of Muziano. Roman Catholic St Teresa of the Child Jesus, at the far end. The architect is thought to have been Fuga, although there seems to be doubt about this. Perhaps the main attraction is Pietro Cavallini's Last Judgment fresco, often cited as the masterpiece of the artist who, with Giotto, was a prominent Late Gothic artist and a forerunner of the early Renaissance. Don't miss noticing the mediaval tomb slab on display, with a Cosmatesque cross. Piazza di Santa Cecilia 22. Under the Chapel of the Relics are the remains of a large room with an apse and a mosaic floor; this room was restored in the 3rd century. The monument had been dismantled and the bits dispersed, but was reunited and restored in 1891. This entry was posted in Rome, Things to Do in Rome and tagged art, church, trastevere. The central part of the work features the Last Judgment, with Christ in a mandorla accompanied by angels. The baroque church was named after the martyr Saint Cecilia and looks rather unassuming on the outside but is beautifully decorated with artwork and carvings on the interior walls and ceilings. A depiction of Our Lady by Annibale Carracci was there before the Reni painting. Given that the viewing arrangements for the underground areas and the Cavallini fresco are now regularized, it is requested that visitors do not accost any of the nuns or clergy to ask for access to these, if this is not already being provided. Since the restoration ordered in 1823 by Cardinal Giorgio Doria-Pamphilj Landi, titular priest of the church 1818-1837, these columns have been encased in squat Doric pillars. There was a charge. The facts behind the legend of St Cecilia are not easy to discern. At the entrance there is an add-on trabeated mediaeval loggia with a single-pitched tiled roof hiding behind a parapet. Pontificio Istituto di Archeologia Cristiana, 2004. IT IS REQUESTED THAT VISITORS REFRAIN FROM ACCOSTING NUNS OR CLERGY TO ASK FOR ACCESS TO CLOSED AREAS. Perhaps the main attraction is Pietro Cavallini's Last Judgment fresco, often cited as the masterpiece of the artist who, with Giotto, was a prominent Late Gothic artist and a forerunner of the early It was the funerary chapel of the Ponzianica family, to which belonged the husband of St Francesca Romana. Among the artifacts remaining from the 13th century edifice are a mural painting depicting the Last Judgment (1289–93) by Pietro Cavallini in the choir of the nuns, and the ciborium (1293) in the presbytery by Arnolfo di Cambio. The marble statue of her here was installed by Cardinal Ceretti in 1925, after she had been canonized. It was here from 1562 to 1661. There are six pilasters in a derivative Composite style, two pairs at the outer corners and the other two between three large rectangular windows with molded frames. The mediaeval doorcases are molded, in pavonazzetto marble. It is especially nice in the spring, when the flowers are in bloom, and the roses are impressive in season. The sculpture shows the saint lying on her side with her arms extended and her throat cut, as if she had been dropped to the ground. (People do, but only barbarians.). This entrance is exactly on the major axis of the church. The central portal is arched, with a molded archivolt and a strap finial on the keystone. At either end of the composition is a date-palm, with the left hand one having a phoenix sitting in it as a symbol of the Resurrection. is a 5th century church of Rome, located in the Trastevere rione and devoted to Saint Cecilia.HistoryThe first church of Santa Cecilia was founded probably in the 5th century, by Pope Urban I, and devoted to the Roman martyr Cecilia. Some of the walls were rather crudely decorated with frescoes depicting curtains (vela), and these were renewed when the baptistery was renovated by Pope Paschal. Whether you're searching for hotels in Santa Cecilia in Trastevere on business, or hunting for a family getaway, Santa Cecilia in Trastevere hotel options are only a click away. There was a lead pipe serving as a water inlet, and this has the names of both SS Cecilia and Chrysogonus on it. Then comes a set of ancillary rooms, which include an entrance to the crypt through a door at the end of the right hand aisle. Cardinal Paolo Sfondrati re-opened her tomb in 1599, and when he found her body intact and incorrupt he asked Maderno to make a sculpture of her. The revised Roman martyrology, 2004, has this carefully worded entry on her feast-day of 22 November: Memoria sanctae Caeciliae, virginis et martyris, quae duplicem illam palmam Romae in coemeterio Callisti via Appia pro Christi amore consecuta esse traditur, cuiusque nomen titulus ecclesiae Transtiberinus antiquitus praebet. There used to be a Benedictine nunnery at Sant'Agnese fuori le Mura, but in 1479 Pope Sixtus IV shut it down because the sisters had become corrupt. The whole project was executed between 1291 and 1293, and seems to have resulted in a fresco cycle featuring scenes from the Old and New Testaments. The saint is shown being martyred with bare breasts, a reminder of the horrible legend that she had them cut off the day beforehand -only to have St Peter put them back miraculously in the night. The altarpiece of the saint is by Giuseppe Ghezzi, of 1676. The imitation Cosmatesque floor is good. This chapel is private. In this rather restricted space you can see a damaged fresco by Pietro Cavallini, Christ at the Last Judgment Attended by the Heavenly Court, which was painted in about 1293 and is a fragment of a larger composition. There is a charge for entry (2017 2,50 euros). It has four storeys, two storeys of which back onto the entrance propylaeum which has three portals. ... Porta Portese Market, Trastevere, St Cecilia & Jewish Ghetto Guided Tour in Rome. Ferdinando Fuga was responsible for the remodelling of the façade in 1741, with its bombastic inscription in praise of the cardinal. There were several additions and alterations to the church in the 12th and 13th centuries. Some scholars argue that the chapel was built by Pope Paschal (although there is no direct evidence of this), and that the remains of the domestic bath-house preserved therein were either already known or were discovered in the building works. The ancient church of Santa Cecilia in Trastevere was built by Pope Paschal I (r. 817-24) to house the remains of St Cecilia and her husband St Valerius, which were transferred to the church from the catacombs of San Callisto in 820. Caroline Goodson: The Rome of Pope Paschal I. Cambridge 2010. However, the sculptor's wish to obey the Classical canon as regards the depiction of feet has led him to carve a foot which is anatomically improbable -the big toe is shorter than both the second and third. The apse has remains of 9th century mosaics depicting the Redeemer with Saints Paul, Cecilia, Paschal I, Peter, Valerian, and Agatha. There is a good Paschal candlestick in the form of a twisted barley-sugar columns with Cosmatesque inlay to the right of the ciborium. 09:30-12:30 and 16:00-18:30 daily, frescos by Cavallini M-Sa 10:15-12:15, Su 11:00-12:30. Above each window is a scallop shell and curlicue motif. The new community inherited a very important tradition. He is flanked to the left by St Paul, St Cecilia and Pope Paschal I (with a miniature model of the church, identifying him as the builder, and a square halo showing that he was still alive when the mosaic was made). The nuns have regularized the access to the underground areas. Its provenance is unknown, but it was obtained for the new church by Pope Paschal. The church façade above the loggia fronts the central nave only; the aisles have no frontages (the right hand side is occupied by the campanile, and the left hand side by the internal access to the nuns' choir). More tickets & tours. Torquato Picarelli, Basilica e casa romana di Santa Cecilia in Trastevere (Roma: Romana, 1904). Santa Cecilia is a basilica church with no transept and a north tower. However the main ranges are on either side of the courtyard, and also flanking the nuns' vegetable garden which is to the south. These light the nuns' choir. Very ornately done and beautiful inside, but don't expect any information in English. Apart from the baptistery (not apparently accessible to unaccompanied visitors), there are no signs of early Christian activity to examine down here. The frescoes were plastered over in a remodeling under Cardinal Francesco Acquaviva in 1724, which included building an enclosed choir, the floor of which cuts off part of the Last Judgement. This led to the large, richly decorated crypt now existing, the architect of which was Giovanni Battista Giovenale. 1291 Mosaic Basilica of Santa Maria in Trastevere, Rome The scroll in the woman's hand () links her to the bride in the Song of Solomon.It reads Leva eius sub capite meo et dextera illius amplesabitur me, "His left hand is under my head, and his right hand shall embrace me" (2:6, 8:3).Christian writers interpret the bride as Ecclesia, the Church: see my page on Ecclesia. The work was abandoned in the 18th century restoration, and covered by wooden panelling until it was rediscovered in 1900. His interest arose from his campaign to bring all known relics of the Roman martyrs from the catacombs to new shrines within the city walls; this was because the countryside around Rome was being overrun by marauders, and the catacombs were unsafe to visit. Santa Cecilia in Trastevere is one of Rome's most beautiful churches. The Greek menologies (i.e. In the 4th it was transformed by the addition of a large basin, and the re-laying of the floor around it with new mosaics; this basin might have been the plunge-pool for the bath-house adjacent to the south. Santa Cecilia in Trastevere is a 5th-century church in Rome, Italy, in the Trastevere rione, devoted to the Roman martyr Saint Cecilia. The Romanesque brick campanile was erected in 1140, and is typical of the period. testifying that she was depicted just as he saw her. After a group of them tried to assassinate St Charles Borromeo for daring to try and reform them, the male branch was punitively suppressed in 1571. Subscribe via iTunes Scroll to see some pics we discuss in the episode. Their job is to spin and weave the pallia, which are then presented to the deacons at San Giovanni in Laterano, who in turn pass them on the deacons of St Peter's. ("The memoria of St Cecilia, virgin and martyr, who is described as having obtained this double palm for the love of Christ at the cemetery of Callistus on the Via Appia, and whose name occurs in an ancient Trastevere church titulus."). The external entrance loggia is mediaeval, erected in the 12th century but altered by Fuga. By means of this abundant grace, we enjoy a diverse and close-knit parish family—young, old, rich, poor, of various ethnic origins and differing backgrounds. His predecessors include: are Pope Stephen III, Pope Martin IV (1261-1281), Adam Easton (1383), Pope Innocent VIII (1474-1484), Thomas Wolsey (1515), Pope Gregory XIV (1585-1590), Michele Mazzarino (1647), Giuseppe Doria Pamphili (1785), Mariano Rampolla (1887-1913), and Carlo Maria Martini (d. 2012). (In English.). (There used to be viewing on Sundays 11:15 to 12:15, but this was stopped recently). Over the bust of the deceased is a relief showing the discovery of the relics of St Cecilia. Because the church has no presbyterium or transept, the final bay has been sequestered for the sanctuary. This is the only surviving painting by Cavallini (apart from a water-colour), and ranks as among one of the most important art-historical works in the world. The saint is shown doing penance in the Judaean desert. Our Lady and St John the Baptist flank this composition, while to each side are seated the Twelve Apostles on thrones. It is in the form of a Gothic tomb-chest, with a recumbent effigy on top. He was responsible for "de-baroquing" several ancient churches, but was not able to get his hands on this one. The early excavators labelled this the domus, but it looks more like a utilitarian building such as a warehouse or horrea. It is striking, because it precedes by decades the similar high-Baroque sculptures by Gian Lorenzo Bernini (for example, his Blessed Ludovica Albertoni) and Melchiorre Cafà (Santa Rosa de Lima). One of the lesser-known churches in Rome, Santa Cecilia in Trastevere Basilica is a fantastic stop if you are exploring Trastevere neighborhood. Drawings of the complete cycle fortunately survive. The garden was laid out as an initiative by Cardinal Bonaventura Cerretti in 1929. At either end the vault has yet more epigraphs proclaiming Cardinal Francesco Acquaviva. The altarpiece of the saints is by Giuseppe Ghezzi, of 1676. The old baptistery was refurbished, and kept in use despite being over two metres below the floor surface of the new church. In the same campaign the relics of SS Valerian, Tiburtius and Maximus were transferred from the catacomb of St Praetextatus and enshrined in another marble sarcophagus. Below, in the centre is the Cross with the Instruments of the Passion, and this is flanked by angels blowing trumpets. You have to get into the attic to see the frescoes! The commission was carried out by a team of artists comprising Giovanni Zanna, Tarquinio Ligustri, Marco Tullio and Vincenzo Conti. (Beware of erroneous renderings of his surname as Hertford or Hartford.) In fact, I always suggest visiting this beautiful Basilica not only for its aesthetic but also for the … Courtyard, facade, and medieval tower. These were looted from a very high status context. This is an emblem of martyrdom. My advice is that you try to be there early, so that you can get in line to enter the choir as soon as it opens. Hence, some publications quote a date of around 225 for St Cecilia's martyrdom. Problems with the archaeological evidence. The suggestion that it was founded in the 3rd century presumes the historicity of the legend. It is still claimed that the 2nd century AD house under the present church could have been the actual home of St Cecilia converted into a titulus, but there are serious problems with this. If you go to San Saba on the Aventine, you will find an ancient basilica with no ceiling and an open roof, just like this one used to be. Unfortunately, the subsidiary chapels off the right hand aisle are now usually kept gated, and are inaccessible to ordinary visitors. Since they were enclosed, they were not allowed into the body of the church. It is clear from the witness statements that the body was incorrupt. 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